Can you judge an EP by its song titles? If the similarity
in sound and track nomenclature between Adam Gnade and ambient
sound-scapers such as Godspeed You Black Emperor and Silver Mount
Zion are anything to go by, the answer is most definitely yes.
Backed up by Oxford's Youthmovies, the Americana experimentalist
seems to have entered into a musical marriage made in heaven.
And this means, of course, that Honey Slides is a very good EP
indeed. Behind the most homemade packaging we've seen this month
lie five slices of beautiful, often minimal, trippy and blissed
out harmonic experimentation that is worth every one of the 20
minutes of your life it will take you to listen to them.
Post-rock, alt-folkie and making great use of lyric samples,
sometimes Gnade's voice is completely unaccompanied by music (such
as at the beginning of the fabulously titled Snake Lore, Part
II: Hold Back The Flame, O Weary Friends!), sometimes he brings
in folkish guitars. Sometimes, he just lets the electronics do
all the work.
Gnade's usual aim is to make music similar to the "sound
of America", from where he originally hails, but with Honey
Slides written on tour in the UK and helped along by his English
cohorts, there's definitely a rave beat influence on some of the
music.
The title track in particular, with its spoken-word top layer,
recalls an American Mike Skinner at his most pranged, or a 21st
Century Gil Scott Heron. It's a sound familiar to anyone who's
ever walked home from an all-nighters round the back of Kings
Cross. And every single one of the others is just as good.
In fact, this is an EP that sounds as if it was computer generated
to be performed live at All Tomorrow's Parties, late at night
when all you want to do is sit on the slightly sticky carpet with
your back to the wall breathing in the music as the world breathes
with you.
Hint: He is on tour now. Get tickets. Off you go.
- Jenni Cole
musicomh.com
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